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The "Class Action" Story
by Jonathan Wolfert
President
JAM Creative Productions
The first custom jingle package JAM ever produced
for WLS Chicago was recorded in 1978. We called it "Class
Action". As usual, we prepared a demo tape of the finished
material to send to other stations who might be interested in
using the package. "Class Action" became one of our
most unique, popular and well remembered demo presentations. For
this reason we have re-released on some of our demo CDs.
But I still receive questons from JAM
fans asking for details about the production and content of the
demo. So here's the full behind-the-scenes story.
WLS selected JAM to create its new package after listening
to audition cuts and presentations from several different production
companies. During the years 1972 to 1978 the station had used
jingles from a variety of sources. In addition, there were WLS
demo tapes in circulation from companies whose jingles had never
actually aired on the station. JAM was proud to be the new sound
of Musicradio WLS, and we wanted everyone to know that our jingles
really were on the air at The Big 89. In order to insure
credibility, we decided that the demo presentation should be hosted
by one of the WLS jocks. John Gehron, then program director of
the station, helped us convince evening personality John Records
Landecker to record something for us in the WLS production room.
But what?
I decided to fly to Chicago so that I could be there for the
recording. As is usually the case, there wasn't much time to plan
the demo before the session. So I brought a yellow legal pad with
me on the plane. Sometime during that 2 hour flight I scribbled
out the lines which became the script we used. Since Landecker
was great at interacting with listeners on the phone during his
"boogie check" segments, I figured we could have him
do something similar on the demo.
When I arrived at the station with my handwritten pages I explained
the concept to John, and told him that we'd add all the other
voices later. But to give him something to react to, I sat in
the studio with him and read the other people's lines. I gave
him free license to ad lib around the script and make it sound
like his show. Luckily, he did.
In the example above, you see the handwritten introduction
(yes, that really is the original script from 1978... we save
everything). Landecker added his famous line about "the
big 50,000 watt blowtorch" and the legendary "I've got
the job you want" as an ad lib.
In a later section, you can see John added some notes of his
own to the rather sketchy script.
At the end of the recording session I asked John if he had
anything he'd like to add to the tape for posterity. He paused,
then said "where's my check?" This, of course, became
the end of the presentation, and is a line that has lived in infamy
ever since.
Back in Dallas we edited Landecker's good takes together, and
brought in voice-over talent (and former DJ) Brice Armstrong to
play the part of the "straight man" announcer. We played
him Landecker's lines and let him react to each one. Brice is
a creative and funny guy, and he too ad libbed around the handwritten
script.
Then the hard part really began. Mark Holland and I spent several
weeks gathering needed voice tracks and sound effects, and assembling
them on the JAM multi-track recorder (which at the time was a
16-track). We tried to get the timing of the conversations to
sound natural, which is tricky when no two people were ever in
the same room at the same time! With today's digital audio workstations
it might have gone much quicker, but we're talking about the old
"grease pencil, razor blades and splicing tape" days
here.
Our production style back then was probably an odd mix of Monty
Python's Flying Circus and the Firesign Theater. For example,
when the first caller requests a Bee Gees song to be played, you
can hear through the phone that she's already listening to a Bee
Gees record. Landecker gives her a hard time and says "no",
but later when he turns on the radio we hear that same phone call
played back on the air with a totally different outcome. Too deep?
Probably, but we had fun making it.
The rest of the simulated "boogie check" segment
featured cameo appearances by a variety of industry friends...
- Brice Armstrong impersonated Richard Nixon asking if the
package was really on the air, and if his call was being taped.
- John Gehron, who was then P.D. of WLS, asked why we called
it "Class Action".
- Jan Jeffries, who was then P.D. of WSGN Birmingham, asked
for a demonstration with 4 call letters. Years later,
Jan got to program WLS-FM during its WYTZ (Z-95) incarnation.
- Ken Levine, who worked on the air as Beaver Cleaver, then
became one of Hollywood's top writer/producers on shows like
M*A*S*H and Cheers, asked for a demonstration with K call letters.
Years later, Ken's dad was named GM of WLS, and Ken got
to do one overnight show on the Big 89.
- Peter Mokover, who worked in programming and production at
several major stations and now operates Spectrum Research, asked
how to get more information.
When Landecker introduced "our friendly local announcer"
to play all the cuts, it's because initially I didn't know who
we'd use to do the numbers. On the finished demo it's WABC's Dan
Ingram who supposedly walks into the room. In fact, Dan had recorded
those numbers for us as part of a different demo, and we decided
to also use them in Class Action at the last minute. The conversations
that appear to take place between Landecker and Ingram were completely
fabricated from out-takes!
JAM went on to produce many more custom packages for WLS, even after
the station changed from Musicradio to Talk Radio. In the years since 1978,
the Class Action jingles have been used by over 130 different
radio stations all over the world. But for radio people and jingle
collectors, the Class Action demo seems to have become
a quintessential souvenir of the era. And we appreciate it.
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